For the ill and the absent-minded -

Here, you will find a very brief summary of class discussions and activities, lists of assigned readings, and links to other resources. The posts are reminders of what we covered in class and/or of what you missed by being absent physically and/or mentally. If we are required to work remotely, the posts will give directions for the day's activities, and let you know when we will meet via Google Meets. Please read the posts, talk with your classmates, and do the practise work as it suits the timing at home. Please put all work in your digital folders via Google Drive. Feel free to make comments and if you're still confused, please email me!

(NB: I do not condone class absences - you must be present, in class, actively listening and participating whenever possible. Always communicate your absences with the school office as well as with me. It is your responsibility to make arrangements for missed learning opportunities. You MUST meet all assignment deadlines. If we have to meet via Google Meets, please make a note of the QR link posted in Room 205 for the meeting id and passwords.)

03 October 2025

B - ... when you wrote. That's all.

ESSENTIAL QUESTION: Why is the writing process so necessary for clarity?

Learners used the entire period to begin drafting the essay on Anglo-Saxon ideals.

DUE: Essay on Anglo-Saxon Ideals - at the end of next class!

READ: 

  • "The Seafarer"
  • The Medieval Period
  • Intro Canterbury Tales

02 October 2025

F - ... when we tried to view things through different lenses.

ESSENTIAL QUESTION: What role does language play in shaping (and erasing) identtity?

Learners discussed briefly the languages they spoke and how knowing another language (or not) shapes who they are.

They recalled their discussion of how setting influences character and extended that discussion to include "country," which also includes language!

We read together and discussed Rita Joe's "I Lost My Talk" and contrasted it with Atwood's "Disembarking at Quebec" from the lenses of a colonizer and settler and the colonized. We discussed truths that Joe presents and the promise of reconciliation from the speaker.

CONSIDER: What might reconciliation look like according to the vision in Rita Joe's poem?

NEXT CLASS: "The Destructors"

01 October 2025

B - ... when you had time to continue preparing for the timed essay.

ESSENTIAL QUESTION: Why is it important to engage in the writing process?

Learners used the period to continue working on their outlines for the essay on Anglo-Saxon ideals.

NEXT CLASS: Writing! 

29 September 2025

F - ... when we talked about photography.

ESSENTIAL QUESTION: Is "otherness" a thing? How is it important in literature?

Learners worked in cooperative groups to share their monologues from last class. Learners posed questions of each other with regard to how they believe they are seen by others.

We discussed the difference between a "selfie" and a "self-portrait." Learners identified that a selfie is quick, whereas a self-portrait required more thought and more "work.

We read together and appreciated Atwood's "This is A Photograph of Me." I asked learners to consider text features, especially the parenthesis in the poem and suggested that perhaps the poem, too, is both selfie and self-portrait.

PRACTISE: Post to the digital whiteboard

  • a self-portrait with a line from one of the pieces we studied so far
  • a selfie with a line from your own monologue
NEXT CLASS: 94 Calls To Action, Voice

25 September 2025

B - ... when you did sea chanties.

ESSENTIAL QUESTION: Why is it important to understand that as a sea-faring/fearing nation, England has a special relationship with the sea?

Learners shared their sea chanties. We discussed the importance of the sea as setting AND character in Anglo-Saxon texts.

Learners used the rest of the period to organize and prepare their notes for a literary essay on Angol-Saxon ideal in Beowulf. (Find the details of the essay in the Learning Opportunities section to the left.)

NEXT CLASS: The Essay

24 September 2025

F - ... when we discussed the individual as victim to his/her surroundings.

ESSENTIAL QUESTION: Why does there always seem to be a need for resolution?

We revisited the pieces learners did while I was away: Valgardson's "Identities," Kingsolver's "Naming Myself," "Atwood's "Disembarking at Quebec," and I answered any remaining wonderings.

We discussed how the individual is often "at the mercy" of his/her surroundings and how even though the individual may not change, the creation of "other" (a different "identity") can be created. Learners discussed the questions "who am I?" and "how am I seen?" in the context of Two Gentlemen of Verona and the other pieces we studied.

Learners used the period to write a monologue exploring these questions.

NEXT CLASS: self-portraiture

22 September 2025

B - ... when we discussed the mix of pagan and Christian ritual in Anglo-Saxon texts, and also sea chanties (I'm not sure how they're connected, really).

ESSENTIAL QUESTIONS: What does the existence of pagan and Christian values tell us about the Anglo-Saxons? What is the value of poetry to remembering?

Learners offered their summaries and important lines from "The Burning of Beowulf's Body."

We looked together at the excerpt from Bede's The History of the English Church and Its People.

We discussed the oral language v. Bede's writing, and I suggested that features of oral language aid in memory. We listened to:

Learners worked in small groups to write their own sea chanties. They used a section of Beowulf for "the story."

READ: "The Seafarer"

NEXT CLASS: sea chanties, heroic epic v. elegiac epic