For the ill and the absent-minded -

Here, you will find a very brief summary of class discussions and activities, lists of assigned readings, and links to other resources. The posts are reminders of what we covered in class and/or of what you missed by being absent physically and/or mentally. Please post all work in your digital folders via Google Drive. If we are required to work remotely, the posts will give directions for the day's activities, and let you know when we will meet via Google Meets. Please read the posts, talk with your classmates, and do the practise work as it suits the timing at home. If you're still confused, please email me: ms.ignacio@stpats.bc.ca

(NB: I do not condone class absences - you must be present, in class, actively listening and participating whenever possible. Always communicate your absences with the school office as well as with me. It is your responsibility to make arrangements for missed learning opportunities. You MUST meet all assignment deadlines. If we have to meet via Google Meets, please make a note of the QR link posted in Room 205 for the meeting id and passwords.)

13 October 2026

B - The one that was repetitive, honestly.

ESSENTIAL QUESTION: Why is the sea such an important feature in Anglo-Saxon literature?

Learners took their essays on Anglo-Saxon ideals and asked AI to "roast them." They shared their results.

Learners discussed if it was better to live a safe life, unchallenged by anything difficult or live a life full of adventure with loads of difficulty and challenge. I linked the conversation to the duality that the Anglo-Saxons faced living on an island nation, where the sea was both terrifying and beautiful.

We looked at "The Seafarer" together and learners searched for examples of kennings, alliteration, imagery connected to the sea, and imagery connected to the land. We also discussed the shift in the poem from a tale of loneliness and hardship on the sea to a reflective, prayers mediation on the meaning of life when one faces the alienation and challenges life brings.

PRACTISE: Write a sea shanty! Make it at least 12 lines. You may use lines from the poem. Here's a sample:

READ:

  • excerpt from A History of the English Church and People
  • Intro to the Medieval Period
NEXT CLASS: the medieval period, Middle English, Chaucer, from the Prologue to Canterubry Tales

09 October 2026

F - The one with Ms. Salgadoe.

ESSENTIAL QUESTION: When a leader's ideals clash with social norms, is destruction an act of creation or purely chaos?

I wish I could say that Ms. Salgadoe reviewed some of your responses to the digital chalkboard, but I don't see anything on it! We will review this next class and I'll give you a chance to post by putting the two prompts below (one when you had Ms. Villaceran, the other when you had Ms. Salgadoe):

  • How does T. fit or subvert the definition of "leader" in a chaotic environment?
  • When a leader's ideals go against society's expectations, does it lead to meaningful change or total destruction?
Please post your responses before coming to next class.

Today, you should've worked in pairs and continued a close reading of Greene's "The Destructors." Hopefully, you made annotations and notes on character and conflict (internal and external ONLY)! And, maybe you were also able to "map" symbol, using a t-chart.

PRACTISE: See above + finishing annotating "The Destructors"

READ: Valgardson's "Identities" and Camus's The Outsider

NEXT CLASS: Working the short story checklist

08 October 2026

B - The one with two people and the evacuation drill.

ESSENTIAL QUESTION: How can using AI to be our worst critics improve writing?

Thank you the Ahn and Stella for carrying the heavy supply bag during our evacuation drill!

Ahn and Stella plugged in their essays (on Anglo-Saxon ideals) into Gemini and Claude and asked it to roast their essays. They used quite generic prompts at first: "how do I make this better?" I encouraged the two to go back and refine their prompts and have fun with asking AI about their essays.

PRACTISE:

  • Ask AI to suggest edits for your essay. Make edits to your essay based on what AI said, but do NOT copy and paste any text from the AI suggestions. Select a different font colour for the edits. Below your essay, write 5-6 sentences reflecting on whether or not you agree or disagree with what AI told you.
  • Then, create a separate document in your e-folder. Label it: "I AI-ed the Beowulf Essay". Copy and paste the prompt(s) you gave AI and then copy and paste the result AI gave you. Write a short reflection of the results AI generated for your prompt. Was it what you expected?
READ: the excerpt from A History of the English Church and People, "The Seafarer"

NEXT CLASS: the sea, elegiac epic

07 October 2026

F - The one about motives.

ESSENTIAL QUESTION: Why should we challenge conventional ideas of leadership and order?

Learners worked in paira to continue reading and annotating Greene's "The Destructors," Learners took note of T. 's character traits, and highlighted evidence that demonstrates T.'s authority. The TTOC asked learners to discuss:

  • How does T. take leadership (away from Blackie)?
  • Does T. destroy the house for personal gain or for an ideal/principle?
PRACTISE: Answer the question below and post your response to the digital whiteboard.

How does T. fit/subvert the definition of "leader" in a chaotic environment?


NEXT CLASS: character & conflict

06 October 2026

B - The one that was at half speed.

ESSENTIAL QUESTION: What significance does the sea hold for sea-faring societies?

I asked learner to identify examples of kennings and alliteration in "The Seafarer." Learners struggled until I discovered that the reading was not completed! (Thank you for your honesty.)

I gave some brief notes on "The Seafarer".

Learners used the rest of the period competing the essay on Anglo-Saxon ideals.

READ:

  • Bede, page 32
  • excerpt from Bede's A History of the English Church and People, pages 33-34
  • "The Seafarer" pages 35-38
  • The Old English Period, pages 41-42
  • The Medieval Period, pages 43-54
NEXT CLASS: the sea, Anglo-Saxon dualities

05 October 2026

F - The one when we discussed what happens when individual authority collides with social order.

ESSENTIAL QUESTION: What happens to authority, leadership, and moral rules when the world has literally been destroyed?

COLLECTED: Hard copies of one-act Greek tragedy "redux" of "The Japanese Quince"

I spoke about the importance of completing assigned tasks on time.

Learners presented their choral reading of "Ode to Man" from Antigone.

I spoke about and gave brief notes on other key speeches/monologues from the play:

  • Creon's "Ship of State" speech (lines 179-235),
  • Creon v. Antigone - 1st stichomythia (lines 499-594),
  • Haemon's metaphor of trees and sails (lines 797-804),
  • Tirsesias's prophecy and destruction (lines 1090-1137);
and I made connections between individual authority and social order.

I introduced Greene's "The Destructors" (see the link to the left) as a piece that also questions leadership and law in the face of chaos and disorder. I modelled a close reading of the first two paragraphs of the story.

READ: Greene's "The Destructors," Camus's The Outsider

NEXT CLASS: close reading of text

01 October 2026

B - The one about burials and embedding quotes.

ESSENTIAL QUESTION: How does the blending of pagan and Christian burial rites reflect the Anglo-Saxon struggle between achieving earthly immortality (the love of glory) and spiritual salvation (the inevitability of death)?

We read together "The Burning of Beowulf's Body," and discussed the Anglo-Saxon tension between glory and judgement. Learners identified pagan and Christian elements from the excerpt and chatted to the their partners about this dual lens and what that lens might suggest about what is happening in this time period.

We reviewed how to embed/integrate quotes into the body of sentences and paragraphs. Learners used the rest of the period to finish working on their essays.

DUE 6 October - Anglo-Saxon Ideals Essay

READ:
  • Bede, page 32
  • excerpt from Bede's A History of the English Church and People, pages 33-34
  • "The Seafarer" pages 35-38
  • The Old English Period, pages 41-42
  • The Medieval Period, pages 43-54
NEXT CLASS: Elegiac Epic