For the ill and the absent-minded -

Here, you will find a very brief summary of class discussions and activities, lists of assigned readings, and links to other resources. The posts are reminders of what we covered in class and/or of what you missed by being absent physically and/or mentally. If we are required to work remotely, the posts will give directions for the day's activities, and let you know when we will meet via Google Meets. Please read the posts, talk with your classmates, and do the practise work as it suits the timing at home. Please put all work in your digital folders via Google Drive. Feel free to make comments and if you're still confused, please email me!

(NB: I do not condone class absences - you must be present, in class, actively listening and participating whenever possible. Always communicate your absences with the school office as well as with me. It is your responsibility to make arrangements for missed learning opportunities. You MUST meet all assignment deadlines. If we have to meet via Google Meets, please make a note of the QR link posted in Room 205 for the meeting id and passwords.)

29 January 2026

B - ... when you met Mr. Hagen and wrote about Marvell's "I love you three thousand" poem.

ESSENTIAL QUESTION: What do carpe diem poets contribute to the literary tradition?

Learners used the entire period to write an extended paragraph response for Marvell's "To His Coy Mistress." The prompt: Marvell's witty carpe diem poem "To His Coy Mistress" is darkened and complicated by an awareness of time, age, and death. Discuss with reference to the poem.

READ:  Herrick's "To the Virgins," Suckling and Lovelace poems

NEXT CLASS: mini-reading break as some are away because of Encounter

28 January 2026

F - ... when we talked about rhetoric

ESSENTIAL QUESTION: Why should we rant?

FREE WRITE: "I'm so angry, I could..."

We revisited how Francis Bacon's essay is a series of theme statements - "big" comments about revenge. Learners read the McClean's article "Why I Rant and Why You Should Too" and shared their reactions.

I spoke about rhetoric as important to the art of writing, and reviewed a few key devices of rhetoric:

  • Anaphora (purposeful repetition)
  • Rhetorical question (questions that challenge rather than seek answers)
  • Specific example (concrete detail - a single moment)
  • Parallel Structure (balanced phrasing - reinforces logic and rhythm)
  • Juxtaposition / Contrast (placing two differing idea side by side to expose hypocrisy)
  • Hyperbole (measured not chaotic, intentional exaggeration
  • Shifts in pronouns (I to We, moving from personal to collective)
  • Strategic restraint (deliberately not saying what could be said)
Learners used the rest of the period to write their own personal rants.

PRACTISE: Finish your personal rant

REMINDER: $5 for Hamlet

NEXT CLASS: Hamlet, more ranting

27 January 2026

B - ... when you decided that Shakespeare was still bumpin'.

ESSENTIAL QUESTION: Why do we still study Shakespeare's plays?

Learners shared the results of their inquiry work. Amazing!

READ:

  • Herrick's "To the Virgins"
  • Suckling's "The Constant Lover" and "Why So Pale and Wan?"
  • Lovelace's "To Lucasta On Going to the Wars" and "To Athea, From Prison"
  • Two Women Poets of the Renaissance
  • "When I Was Fair and Young"
  • "Salve Deus Rex Judaeorum"

NEXT CLASS: Timed writing!

26 January 2026

F - ... when you learned that Francis Bacon is to blame.

ESSENTIAL QUESTION: Can restraint be more powerful than action?

FREE WRITE: "losing sight of self"

Learners worked in pairs from last day to refined and share theme statements for "The Guest" and "The Shining Houses." We worked together on writing extending level statements. I suggested that learners consider all the elements of the short story (plot, setting, character, point of view), as well as the devices of the short story (conflict, irony, symbol, etc.), and also the title!

We looked at Francis Bacon's essay "Of Revenge" (see the link to the left).  We discussed form and tried to paragraph the essay.

PRACTISE: Make suggestions for paragraph division for "Of Revenge"

READ: from McClean's "Why I Rant and Why You Should Too"

REMINDER: $5 for Hamlet

23 January 2026

B - ... when Mr. Gabriele talked too long, but you saved it all with your straightforward analysis of Ben Jonson.

ESSENTIAL QUESTION: How do metaphysical conceits incite reflection?

I read and prompted a discussion of Ben Jonson's "To My First Born Son," after Azza's very clear summary of the biography on Ben Jonson. Learners worked in pairs to discuss and present their discussion of "To My First Born Daughter," and "To the Memory of My Beloved Master William Shakespeare."

I suggested that for Ben Jonson the answer is "yes" to our inquiry question, "Does Shakespeare Still Matter?"

READ: Herrick's "To the Ladies," Suckling and Lovelace poems

PRACTISE: Finish your inquiry and be ready to present next class

22 January 2026

F - ... when you ate at practicing theme statements.

ESSENTIAL QUESTION: What is the value in being able to express the theme of a piece of literature?

FREE WRITE: "in pursuit of excellence"

Learners read together and discussed Joyce Carey's short story, "A Special Occassion." We reviewed the notes on theme and learners practiced writing a theme statement for Carey's short story. We looked at the theme statements carefully and I gave some notes about clarity and encouraged learners to consider all the elements of the short story when writing theme. Learners continued to practice and offered themes statements for Valgardson's "Identities," and then Camus's "The Guest." I gave feedback for the theme statements for "Identities."

PRACTISE: Write theme statements for Camus's "The Guest," Greene's "The Destructors," and " Munro's "The Shining Houses."

NEXT CLASS: synthesis, narrative writing

REMINDER: Bring $5 for you copy of Hamlet

21 January 2026

B - ... when we low-key tackled coy mistresses.

ESSENTIAL QUESTION: How does the carpe diem tradition in poetry speak to attitudes towards love in the Jacobean Age?

We read together and discussed Marvell's "To His Coy Mistress." Learners worked in pairs to consider how time, age, and death complicate and darken the tone and mood of the poem.

We discussed the carpe diem tradition in poetry, then read together and appreciated the conceits in Ben Jonson's "Song: To Celia."

READ: Ben Jonson's biography, "To My First Born Son," "To My First Born Daughter," and "To the Memory of my Beloved Master William Shakespeare"

NEXT CLASS: carpe diem and The Cavalier Poets