For the ill and the absent-minded -

Here, you will find a very brief summary of class discussions and activities, lists of assigned readings, and links to other resources. The posts are reminders of what we covered in class and/or of what you missed by being absent physically and/or mentally. Please post all work in your digital folders via Google Drive. If we are required to work remotely, the posts will give directions for the day's activities, and let you know when we will meet via Google Meets. Please read the posts, talk with your classmates, and do the practise work as it suits the timing at home. If you're still confused, please email me: ms.ignacio@stpats.bc.ca

(NB: I do not condone class absences - you must be present, in class, actively listening and participating whenever possible. Always communicate your absences with the school office as well as with me. It is your responsibility to make arrangements for missed learning opportunities. You MUST meet all assignment deadlines. If we have to meet via Google Meets, please make a note of the QR link posted in Room 205 for the meeting id and passwords.)

16 September 2026

F - The one in your tableau era.

ESSENTIAL QUESTION:  How do performance choices translate the literal text (on the page) into dynamic power and emotion (on stage)?

Learners stood up and discussed with different partners the questions I posted last day.

I asked learners to think back to Galsworthy's "The Japanese Quince," and consider the absurdity (in the philosophical sense: "human life has on inherent meaning and the universe is entirely indifferent to our search for purpose) of the characters and their how their desire for social conformity hides human vulnerability. I asked learners to also think back to their Grade 9 study of Shakespeare's A Midsummer Night's Dream, particularly the "mechanicals" - absurdity, contrast, art(ifice)/beauty - and to think about whether or not we can consider Mr. Nilson and Mr. Tandram as "mechanical."

We discussed the possible connections to Antigone. I reviewed "the backstory" in order to frame our viewing of the play tomorrow. Learners worked in groups of three to create tableaus from the backstory.

We discussed the importance The Role of the Chorus and I invited learners to view the play tomorrow with one of the lenses below:

  • Power & Posture (actor movement, spatial hierarchy) - Groups 1, 3
  • Sound & Energy (vocal layering, music, tension) - Groups 2, 4, 6
  • Modern Resonance (language choices, contemporary relevance) - Groups 5, 7
  • The Chorus (how public opinion is staged) - everyone!
NEXT CLASS: Parallelism, Creative Adaptations

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